Creativity, for me, is more than tools. It's seeing what's possible and making it real — across branding, design, video, and 3D.
Branding is how people recognize and remember something. I handle the full stack — logo, motion graphics, color, typography, and mockups that show how it all lives in the real world.
I've applied that to my own projects — Redsglow, my personal brand, and Redsglow's internal tools — plus branding work for Pearl Lemon Group in the UK.
Every detail matters, from overall style down to the smallest touch.
I've designed 100+ thumbnails for Fiverr gigs, documentaries, and YouTube videos.
A thumbnail's job is one second of clarity — the right frame, the right hierarchy, the right stopping power.
Social is often the first place people meet your brand. Posters have to grab attention fast and land the message clearly.
I design for both — attention and emotion. The right palette, the right type, and consistency across a single post or a full campaign.
I started making mascot logos in 2021, mostly for Twitch streamers and small creators. Early on, the work was simpler — more experimentation than polish.
That phase taught me the fundamentals of character design and branding — clarity, recognizability, and personality. It's the base every stronger piece of work grew from.
Graphic design is where thoughts become clear, eye-catching visuals. I use Adobe Illustrator for vector work and logos, Photoshop for photo editing and detailed compositions, and Canva for quick social pieces. 3+ years hands-on.
The tally so far: 100+ thumbnails, 15–20 logos, and 250+ mascot designs and other visuals — plus a steady stream of work on my own projects.
Video editing is how I tell longer stories — cutting, color, sound, effects, and pacing. The goal is engaging and memorable, not just polished.
I've edited 4+ documentaries, including a street-food film, one on Cholistan, and "KPR" — a documentary about my own city, Khanpur District Rahim Khan.
Beyond documentaries, I edit short reels for accountants and entrepreneurs, my own promos and ads, plus gaming and vlog content.
Toolchain: Premiere Pro and After Effects for pro work, CapCut for social speed, and Filmora when simplicity wins.
3D lets me build objects and environments in three-dimensional space — for games, animation, product visuals, or architectural mockups.
I first learned 3ds Max on a house-mapping project, then spent two years deep in Blender, which is now my main 3D tool. I render with both Eevee and Cycles.
During that stretch I built 50–100 models — low-poly game assets, full environments, and standalone objects.
Not every experiment worked. Early YouTube videos didn't fly. I left a graphic design job because the pay didn't match the effort. Projects stalled, tools broke, deadlines bit back.
Every one of those moments taught me something — usually about problem-solving and persistence more than about design.
The work continues. New tools, new trends, new mediums — but the same goal: bring ideas to life in ways that actually land.
Brand identity, thumbnails, posters, mascots, video, or 3D — tell me what you need and we'll take it from there.
